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Whitehot Magazine
July 2026
"The Best Art In The World"
"The Best Art In The World"
July 2026
latest articles
Paul Laster
The Philadelphia Story
Container: Two Artists, One Space
New York City
Jonathan Goodman
Whitehot Interview with Harold Wortsman: A Sculptor in Clay
New York City
Shana Nys Dambrot
Wallace Chan in Venice
New York City
Bella Greenbacher
The Guggenheim’s Spiral: Challenging the Myth of Curatorial Neutrality
New York City
Sivan Lavie
Annabelle Weatherly, New York It Girl, manifests magic and community at Sitting Room Gallery
The holy and contemporary in Adam Rabinowitz’s GongGong
The floating fruit in Adrianne Rubenstein’s Fruit Business
Katherine Bernhardt’s Peanut Butter and Jelly makes you feel happy to be alive
New York City
Margherita Artoni
The Exhibition That No Longer Needs to Be Read: Pierre Huyghe and the Collapse of Curatorial Sovereignty at Fondation Beyeler
Too Close to the Trees: Danielle Mckinney and Psychic Space
New York City
Ken Krantz
Beyond Dark Flow at the Strother School of Radical Attention
Work in Progress | Nōvo Collective at The Blanc
London UK
Margaret Rand
An Unexpected Pairing in Public Gallery's 'Fault lines'
Georgia-May Travers Cook Masters the Art of Suspense
Haroun Hayward and the Return to Landscape Painting
New York City
Anthony Haden-Guest
Andy Warhol Ate Here: The colorful career of Sheldon Haseltine
Anthony Haden-Guest on The Open Eye of Wayne Ensrud
New York City
Emann Odufu
Cyph 001: The Archive, Memory & Truth in the Age of AI
New York City
Emma Cieslik
“Ritual of self creation:” Monique Poisson-Fast’s divine trans triptych
“Ashes to ashes, filth to filth:” Reclaiming kink spirituality with the creators of ANARKISS Zine
“El dedo que entra en la llaga:” A conversation about the art of unsettling with Iñaki Guerras
New York City
Raphy Sarkissian
Gregory Hodge: Chromatic Undulations
Mark Manders: Translating Mediums
Sound and Its Social Silence in The Post Office
Frank Hutter and the Immediacy of the Mark
New York City
Kate Hoag
Karen Mosbacher: Choreographing Color
Tracy Weisman: Some Birthday, America
New York City
Oceana Andries
Exhibition Review of "The star exploding in the body" at the John Michael Kohler Arts Center
New York City
Riad Miah
An Earlier Future: Joseph Raffael's White Ground Paintings at Nancy Hoffman Gallery
New York City
Delia Cabral
Henry Moore/ Lucian Freud: Monumental Intimate Truths
London UK
Maggie Horneff
Dale Lewis: Lost Illusions at Edel Assanti
London UK
Rain Chan
Focus Art Fair Spotlight - Legibility of Gaze
London UK
Camille Moreno
The First Memes Were Sent by Mail
London UK
Marcarson
Illuminating Locations with Photographer Alex Silver
New York City
Shuhan Zhang
After Language Withdraws
When the Internet Begins Dreaming for Us
New York City
Bianca Bova
House of Criticism Premiers at Tribeca Film Festival’s 25th Edition
New York City
Ayse Sarioglu
Sanford Biggers: The Art of Transcendence
Foreign Tongues: Nathaniel Mary Quinn on The Rolling Stones
New York City
Liam Otero
Exhibition Review: “Bellmer, Nauman, Pondick: Material Desire” at Nunu Fine Art, Nolita
Great Abstract and Abstract-Adjacent Exhibitions Around New York
New York City
Richard Allen May III
STATISTICAL ICONOCLAST: When Presence Becomes Revolutionary
New York City
WM
A Conversation with Artist Patrick Vale
The Painting Center is seeking submissions for the juried exhibition Under 30 Under Pressure
New York City
Rob Strati
Children of the Revolution: The Return to Visual Languages Built for Change
New York City
Clare Gemima
Tappeto Volante’s Dreamy New Tribeca Location with Angelo Vasta’s Luci Spente
New York City
Noah Becker
The Warm Distance: In Conversation with Artist Theodosia Marchant
New York City
Fanfan Yuxuan Fan
Show Me How to Fly Away, THE BLANC X Nan Ke Gallery
Lived Duration in Fool's Hour (Durée Vécue dans L’Heure Des Fous) Xinyu Liu’s Solo Exhibition at Art Cake
New York City
Victor Sledge
Leslie Lewis Sigler: Homecoming
New York City
Carlota Gamboa
Patrick Guetta: Redirecting the Language of Recognition
New York City
Rui Jiang
Sweat. Clack Clack. Torrential. On Jamie Martinez's My Mother's Labor: The Machines at GHOSTMACHINE Gallery
Conspiracy Unmoved: Review of Obscura, The Compound, Baltimore
New York City
Julia Friedman
Hilde Lynn Helphenstein: The Red-Headed Stepchild of the Art World
New York City
Richard Vine
Zhen Guo: Between the Swamp and the Ideal
New York City
Joseph Nechvatal
Henri Rousseau The Ambition of Painting - Musée de l’Orangerie March 25 – July 20, 2026
New York City
Harrison Love
The Artist, the Audience, and the Missing Relationship
New York City
Caitlin Kelly-McKenna
Elsewhere Imagines an Art Fair Beyond the Booth
New York City
Byron Armstrong
Rajni Perera Conjures Future Worlds Charged with Magic at the 2026 Venice Biennale
New York City
Edward Waisnis
Trevor Warren: Painting with Faith in the Age of Misinformation, Uncertainity and Slop
Jane Swavely: Less is More - at Magenta Plains
Los Angeles, California
Gary Brewer
Rémy Hysbergue Catching Sight of the First Cherry Trees Galerie Richard, Paris 74 rue de Turenne 3 Impasse Saint-Claude
New York City
Madeleine Cronn
"The Adventure of Domenico Gnoli" by Domenico Gnoli Exhibits at Lévy Gorvy Dayan
South Africa
Petra Mason
The Art of the Vibe : RMB Latitudes Art Fair 2026
South Africa
Fawn Rogers
Role Reversal interview between Fawn Rogers and Franck Gautherot from Le Consortium Museum
South Africa
Manuela Annamaria Accinno
The Refinement of the Senses as a Survival Strategy: reSENSE’s Multisensory Convergence at Rockefeller Center
South Africa
Zia Pao-Ziegler
Palomar (Part 1)
South Africa
April Liu
Apply the Force: On Yma’s Massage Archive and the Pebble Stone Walking Line
New York City
Amanda Wall
Nagas: A Charming Art Gallery and Mini Museum Hybrid
New York City
Sherly Fan
At The Sue Tear, “Concessions to Impurity” Makes Room for the Mess of Becoming
New York City
Phillip Edward Spradley
I Want to Believe Karla Knight by Phillip Edward Spradley - New York
New York City
Serena Hanzhi Wang
Fragments of Venus: Lesley Bodzy at Dmincubator Gallery
New York City
Anna Shukeylo
On Nicole Michaud’s Quiet Painting
New York City
Matthew McPhillips
Marin Majić Paints a World Between Euphoria and Collapse
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