"The Best Art In The World"
"There is life. Then there is seeing yourself living it. There is experiencing life and then, in making art, there is re-experiencing it. Art is a representation, as simple as that: a re-presentation." read more...
“I aspire only to silence,” was Fénéon’s credo when it came to his collection. read more...
It was naturally not by design, but in creating Empire, Warhol had conjured a cinematic tutorial in dealing with life under COVID. read more...
Mr. Everybody's style offers up a clash of bleak imagery and playful vibrancy. read more...
Mumbai-based visual artist Askhita Gandhi asks, “During the lockdown our bodies were confined, but where were our souls?” read more...
Morin– also known by his street name the slomotion – has executed a wide range of work, from wild and rollicking oil paintings on canvas to mixed media on paper, to hand-made booklets and black & white zines. read more...
Perlis is a Bronx-born realist, a figurative artist with a taste for barbed social commentary that brings to mind Daumier and Goya, and this current series is a pictorial journey that has taken Perlis down some dark and winding roads. read more...
Turtle is a master of the smaller image, which rely the cumulative effect of his pictures to result in a point of view that is at once contemporary and peripheral to much of the art made today. read more...
Standing outside the dominant, rebel artists must be defiant in order to become the influencers rather than the influenced. To create and maintain their own practice, they live symbolically as a scream of resistance against the status quo. read more...
Now on view at 1969 gallery, the show INTERIORS: hello from the living room asks us to consider the enclosed space, a subject that has taken on new light in the shadow of the pandemic. read more...
In 2019, Audrey-Anna started Oil and Threads – a fusion of her two passions where she styles different outfits inspired by art pieces she selects from an array of visual, graphic and sculptural artists. read more...
