Whitehot Magazine

Margherita Artoni

Margherita Artoni is a contemporary art critic and curator working between Italy and the United States. She began her career collaborating with Flash Art and currently writes for Segno, Juliet, Artribune, Exibart, Inside Art, ArteIN, part of cult(ure), The Art Fuse, and Whitehot Magazine.

She has directed galleries in Turin — including NEOCHROME and EDGE Art Space — and in New York at TEAM Gallery. Her curatorial work has included exhibition programs with international artists such as Rashid Johnson, Theaster Gates, Ali Banisadr, Angel Otero, Tim Rollins & K.O.S., Laura Owens, and Mika Tajima.

articles by this author

Collector Jeff Magid in conversation with Margherita Artoni. The Art of Looking.

Emily Mae Smith’s Transit of Venus: Visible, but Not Legible at Petzel

Rita Ackermann: The Letter as Condition at Hauser & Wirth

Kerry James Marshall: The Right to Appear in History - at the Musée d’Art Moderne de Paris

Dhewadi Hadjab in conversation with Margherita Artoni. Painting, perception, and the unstable image.

Stanley Whitney: Chromatic Autonomy - Painting as a Structure of Vision and Determination at Gagosian Hong Kong

Jadé Fadojutimi: Abstraction Before Language

David Hockney's Moon Room: The Last Light at Pace Gallery

Cao Fei's Prophecy - Kunstmuseum Basel

The Exhibition That No Longer Needs to Be Read: Pierre Huyghe and the Collapse of Curatorial Sovereignty
 at Fondation Beyeler

Too Close to the Trees: Danielle Mckinney and Psychic Space

Julie Mehretu — Perceptual Infrastructure and the Post-Retrospective Condition

GaHee Park: The Exhaustion of Distance

In Minor Keys: Art as a Sensory Ecosystem at the 61st Venice Biennale

Takashi Murakami: Hark Back to Ukiyo-e - Painting as a Structure of Vision and Relation

Lauren Quin: Eyelets of Alkaline at PACE – Interiors Suspended Between Light, Memory, and Structure