Whitehot Magazine

Venice Biennale Report: How Do We Make Art About the Climate Apocalypse?

Venice Biennale Report: How Do We Make Art About the Climate Apocalypse? by Anna Talley - New York City

It is perhaps the specificity of the Biennale’s location itself that most viscerally betrays the fact that while we have not yet changed our nature, we have changed nature itself.   read more...

Interview with Carlos Uribe

Interview with Carlos Uribe by Alexandra Oduber - New York City

For almost 30 years now, silkscreen artist and educator, Carlos Uribe, has been delighting the world with his prints and the “infinite unfettered freedom” that they convey.   read more...

Interview with Curt Hoppe

Interview with Curt Hoppe by Katherine Jánszky Michaelsen - New York City

Curt Hoppe’s doubleheader, “Downtown Portraits,” at Howl! and Bernarducci Gallery, is a rogues’ gallery, so to speak.   read more...

Kourosh Keynejad on Globetrotting and Photography

Kourosh Keynejad on Globetrotting and Photography by Colter Ruland - New York City

“I have to adapt to conditions,” he says. “It might be random, but you still have choices.”   read more...

An Atlas of Pulp: Simon Evans™ at James Cohan

An Atlas of Pulp: Simon Evans™ at James Cohan by Spencer Everett - New York City

It is an atlas of pulp, recovered from the scene of prior note-taking and world-making.   read more...

Calder Crags + Vanuatu Totems at Venus Over Manhattan

Calder Crags + Vanuatu Totems at Venus Over Manhattan by WM -

In a contemporary art gallery, it’s not often that Calder takes a backseat to ethnographic artwork but Venus Over Manhattan never fails to turns things on their head.   read more...

Joe Brainard’s “Hard” Bodies

Joe Brainard’s “Hard” Bodies by Cori Hutchinson - New York City

Tibor de Nagy’s in-bloom showing would leave anyone wishing to peek into the pockets of the late Joe Brainard on any given day, which is only to underscore serious interest in and immense gratitude to this nimble painter.   read more...

My Brush Called Fire: Wo Schiffman on Encaustic Painting and the Cosmos

My Brush Called Fire: Wo Schiffman on Encaustic Painting and the Cosmos by Colter Ruland - New York City

“I am piloting the piece of work inside of this molten plane that I’m working on. It’s an interactive community, that is the community of materials and myself.”   read more...

Nicholas Cueva

Nicholas Cueva "Sex Wax" at Freight + Volume Reveals a Connection to a Deeper Spirituality by Anna Scola - New York City

Through the unlikely lens of a beach time activity, Nicholas Cueva reveals a hesitant connection to a deeper spirituality.   read more...

Has Social Media Changed the Way We Buy Art?

Has Social Media Changed the Way We Buy Art? by Alexandra Oduber - New York City

Social media challenges the traditional methodology of the business of art by expanding an artist’s agency.   read more...

Simone Leigh Wins Hugo Boss Prize: Searing Vision

Simone Leigh Wins Hugo Boss Prize: Searing Vision by Jan Castro - New York City

Simone Leigh’s arc of ascendancy as an artist is based on a searing vision that uses a black female’s perspective to re-frame art history, contemporary art, and life.   read more...

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