Whitehot Magazine
"The Best Art In The World"
Khvost examples the by-now-established penchant for what can be called a nondenominational idiom, which rejects the details of the past specific to an artist in favor of a language exquisitely open to painting history. read more...
When Whitehot Magazine was founded in 2005, it opened up the art-writing world to a large number of new voices and new critics. read more...
The Piedmont Pavilion proposes an unofficial new imaginary pavilion running concurrently with the 58th Venice Biennial. read more...
This exhibition is a recreation of a 1974 exhibition held in the apartment of Herald Szeemann. read more...
I AM A WOMAN means I am me- a creator, empowerer, magical soul, healer, nurturer, peace-builder, powerhouse, and a beacon of feminine energy that opens space to create in our trueness. I, a channel for powerful matriarchal energy of beings who’ve supported me in many facets of my life. read more...
All I can say for now is that I feel very fortunate to grow up on the East End of Long Island, and I have great friends and acquaintances. read more...
Liehr’s paintings are less concerned with didacticism than with the sensuousness of paint read more...
This past May, viewers had the opportunity to visit the studio of James Fisher-Smith and Forrest Eagle D’Olympia at Long Island Arts Open. read more...
The 2019 COLA (City of Los Angeles Individual Artist Fellowships) exhibition at the Los Angeles Municipal Art Gallery offers stellar visual works through July 14th. read more...
A reaction to the New York Times opinion piece, “The Dominance of the White Male Critic: Conversations About Our Monuments, Museums, Screens and Stages Have the Same Blind Spots As Our Political Discourse" read more...
The dialogue is remarkable for its evocative connections, made possible not so much by close emulation as by a shared purpose, scheme, and color. read more...
