Whitehot Magazine
"The Best Art In The World"
Purgatory Perceptions recaptures the spontaneity lost amongst shelter-in-place. read more...
What’s the difference between valid appropriation and blatant rip-off, between confluence and plagiarism? read more...
I suggest that the insertion of the animal in the otherwise banally real scene serves the same purpose as the insertion of the horse in Henry Fuseli’s The Nightmare, 1781. read more...
To capture the intrigue and anxiety of modern times, Sackheim’s work moves mainly through the monolithic environments of cities. read more...
Crafts, especially fiber and textile works, have been the symbols of both the oppression and liberation of women throughout history. read more...
NYC-based artist Margaret Zox Brown reflects on her change in artistic process due to the recent pandemic. read more...
For Lee, the solution to fragmentation lies in a return to archetypical forms. read more...
Edwina Sandys, who has been here well over forty years and was long married to the late Richard Kaplan, is at the same time wholly British and a confirmed New Yorker. read more...
The term “art star” is a bit odd these days, so I will not go on and on with it. But what I will say is that it was a nice thing to meet Charlie Stein. read more...
Colette has had a singular art history. Born in Tunisia, she became known in New York in the 70s for radical installations, including one which centered on herself in her own space on Pearl in the Financial district. read more...
This artist has a long and salutary history when it comes to working with a sandstone-based clay. read more...
