Whitehot Magazine

Eduardo Paolozzi: Horizons of Expectations at CLEARING

Eduardo Paolozzi: Horizons of Expectations at CLEARING by Paul Laster -

A Scottish artist who was fascinated with popular culture and technology, Eduardo Paolozzi was a founding member of the Independent Group, a precursor to the American and British Pop Art movements.   read more...

Daniel Aguilar Ruvalcaba - Kurimanzutto Art Gallery, Mexico City

Daniel Aguilar Ruvalcaba - Kurimanzutto Art Gallery, Mexico City by Dorothy Howard - Mexico City

The recent show on Daniel Aguilar Ruvalcaba at Kurimanzutto Art Gallery in Mexico City, curated by Chris Sharp, is a tightly knit conceptual and documentary project   read more...

The Mysterious Art of Andrew Sendor

The Mysterious Art of Andrew Sendor by Noah Becker -

Andrew Sendor is part scientist and part magician.   read more...

Personal iconography is reconfigured in Ford Crull’s dancing mindscapes

Personal iconography is reconfigured in the dancing mindscapes of Ford Crull by Jeffrey Cyphers Wright - New York City

In addition to brushwork, he stencils, stamps (using inked found objects) and gouges. Layers of varying penetrability contain motifs in arrangements that invite interpretation, analysis and wonder. His integration of personal signifiers shares an affinity with the work of Paul Klee and Cy Twombly.   read more...

Peggy Guggenheim: Art Addict: Interview with director Lisa Immordino Vreeland

Peggy Guggenheim: Art Addict: Interview with director Lisa Immordino Vreeland -

Lisa Immordino Vreeland, whose acclaimed debut feature documentary Diana Vreeland: The Eye has to Travel followed the life of Harper's Bazaar fashion editor, turns her lens towards Peggy Guggenheim: a fascinating woman who defined and assembled the premier collection of 20th century modern art.   read more...

Shezad Dawood: It was a time that was a time

Shezad Dawood: It was a time that was a time at Pioneer Works by Isabella Ellaheh Hughes - New York City

"I am very interested in our potential as quantum beings, with more rhizomatic and less linear thinking mechanisms."   read more...

Joe Fig: A Book, a Show and a Talk

Joe Fig: A Book, a Show and a Talk by Paul Laster -

Sharing the stage with Fig at the Y were sculptors Tara Donovan and Leonardo Drew, video and performance artist Kate Gilmore and Brooklyn Rail art critic Jonathan T.D. Neil, who wrote the introduction for the book and moderated the panel.   read more...

Brassai and Henry Miller’s Paris

Brassai in Paris by Robert C. Morgan - New York City

Paris awakens to the eye of Brassai as a place where people came to find themselves and to know one another, and to discuss the heartbeat of art as a sensual act of desperation in search of feelings beyond the ordinary, yet within a city that beams its energy on everything.   read more...

Cedar Beams, Stacks, Steel, Alloy Planes, and Paintings: Carl Andre in His Time at Mnuchin Gallery

Cedar Beams, Stacks, Steel, Alloy Planes, and Paintings: Carl Andre in His Time at Mnuchin Gallery by Robert C. Morgan - New York City

Read the importance of Carl Andre semantically in relation to the new forms created by Stella, Ryman, Mangold, LeWitt, Flavin, Judd, Chamberlain, Marden, and especially, Agnes Martin, confirms the Minimal affect and distillation of form as a comparable asset to that of Cubism, particularly at the outset of Modernism.   read more...

Alexandra Grant and Steve Roden: These Carnations Defy Language

Alexandra Grant and Steve Roden: These Carnations Defy Language at Pasadena Museum of California Art by Megan Abrahams - Los Angeles, California

Using words as catalyst, motif and inspiration, Alexandra Grant and Steve Roden have produced a pair of thematically related series of mixed media paintings in a visually sumptuous sort of homage to 20th Century French writer Francis Ponge.   read more...

Re-Thinking Picasso: Picasso Sculpture at the Museum of Modern Art

Re-Thinking Picasso: Picasso Sculpture at the Museum of Modern Art by Jan Castro - New York City

What many perceive as the birth of Cubism and the sudden break with 19th Century painting traditions may be seen in another way   read more...

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