Peter Saul, Stupid Argument, 2010 - 2011. Courtesy Michael Werner Gallery
By PAUL LASTER, March 2020
While in quarantine and social distancing we can still use a bit of cultural and person-to-person interaction, so we’ve sifted through the newly launched Art Basel Online Viewing Rooms for our favorite figurative works of art for you to add to your imaginary collection.
Scroll through the must-see artworks that we’ve selected and add more of your favorite pieces by visiting the Online Viewing Rooms through March 25, 2020. WM
Anne Collier, Woman Crying (Comic) #11, 2019. Courtesy Gladstone Gallery
Allison Katz, Flowery (Duck), 2017 - 2018. Courtesy Antenna Space
Nicola Tyson, Self-Portrait: Doll, 2020. Courtesy Petzel
Woody De Othello, Pushing Away Keeping Out, 2020. Courtesy Jessica Silverman Gallery
Georg Baselitz, Arriva: La scuola di Lucio, 2019. Courtesy Galerie Thaddaeus Ropac
Keiichi Tanaami, The Laughing Spider, 2016. Courtesy Nanzuka
Paulina Olowska, Haunted Houses, 2019. Courtesy Simon Lee Gallery
Farah Atassi, Model in Studio 5, 2020. Courtesy François Ghebaly
NS Harsha, Beginning, 2019, Courtesy Chemould Prescott Road
Martin Kippenberger, Fred the Frog Rings the Bell, 1990. Courtesy Skarstedt
Gilbert & George, Rosy, 2019. Courtesy Sprüth Magers
George Condo, Transformations, 2019. Courtesy Hauser & Wirth
Oscar Chan, Night of the Living Dead, 2020. Courtesy Gallery Exit
Lisa Yuskavage, The Magicians II, 2019. Courtesy David Zwirner
Jonathan Meese, Dein Bergmassiv"Stubenkäse", Null Zeit für Jeans!, 2019. Courtesy Galerie Krinzinger
Neo Rauch, Die Wächter, 2019. Courtesy Galerie Eigen + Art
Urs Fischer, Angst, 2020. Courtesy Sadie Coles HQ
Paul Laster
Paul Laster is a writer, editor, curator, artist and lecturer. He’s a contributing editor at ArtAsiaPacific and Whitehot Magazine of Contemporary Art and writer for Time Out New York, Harper’s Bazaar Arabia, Galerie Magazine, Sculpture, Art & Object, Cultured, Architectural Digest, Garage, Surface, Ocula, Observer, ArtPulse, Conceptual Fine Arts and Glasstire. He was the founding editor of Artkrush, started The Daily Beast’s art section, and was art editor of Russell Simmons’ OneWorld Magazine, as well as a curator at P.S.1 Contemporary Art Center, now MoMA PS1.
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