"The Best Art In The World"
Whitehot spotlights Kuniyoshi Grant winner Susan Woldman. read more...
Broeksmit’s work is not a precise play-by-play but a bleary recollection, something remembered in bits and pieces that cannot be placed in any precise order. read more...
The artists I felt most drawn to maintained a level of secrecy or ambiguity in their messaging, but the cumulative internal ethos of the 2019 Biennial maze almost echoes that of the protests organized externally. read more...
This show accomplishes a brilliant combination of eros and technics. read more...
The artist’s challenge of portraying accurately a city seems to be a success. read more...
So Olesen is working on both a historical and a personal level. The combination makes the show highly intriguing, even if its vocabulary defies easy comprehension. read more...
Joss Sackler on her fashion and art brand called LBV and her interest in wine and mountain climbing. read more...
The subject matter, the composition; initially “orthodox” to the eye, after further inspection, begins to reveal an ever-clear, dreamlike unreality. read more...
In her solo exhibition, Theresa Chromati presents us with a spectacle of bodies that are demanding their own authority. read more...
Through the sheer horizontality of its rows, Shadow Stack also sets a formal and perceptual tenet (or denouement) of Scully’s ten recent paintings that become grasped as transformations of aspects of the material world read more...
Justin Aversano's photographs explore the magical and biological phenomena of twindom. read more...
