Noah Becker's whitehot magazine of contemporary art

Jonathan Goodman

Jonathan Goodman is a writer in New York who has written for Artcritical, Artery and the Brooklyn Rail among other publications. 

 

articles by this author

Henrik Olesen at Galerie Buchholz

Fairfield Porter at Betty Cuningham Gallery

Lucian Freud at Acquavella

“Apocalypse: Then and Now” at the Anya and Andrew Shiva Gallery, John Jay College of Criminal Justice

“Speculative Cultures: A Virtual Reality Exhibition” at Parsons, Sheila Johnson Design Center

Gaku Tsutaja: A New Portrayal of Enola Gay

Review: Martin Weinstein at Lichtundfire

Tammi Campbell at Arsenal Contemporary NY

Eva Petric at St. John’s the Divine and Galerie Mourlot

Millicent Young at Cross Contemporary Art

“Minimal Impact” at Lichtundfire

Naoto Nakagawa: A Mona Lisa for Our Time

Graham Nickson: Cumulus, Monumental Trees, and Transient Skies” at the New York Studio School

“Three-Some-Thing” at Elga Wimmer

The Metropolitan Museum of Art Roof Garden Commission: Huma Bhabha, We Come in Peace

Ursula von Rydingsvard at Galerie Lelong & Co.

Chen Dongfan at Fou Gallery

Elisa Jensen at David & Schweitzer Contemporary

Katharina Fritsch Unsettles and Delights at Matthew Marks Gallery

Lisa Seebach at Turn Gallery

Review: Closer to the Beautiful World at Klein Sun Gallery

"It's Complicated" for the Poor Man's Sculptor

Review: Syd Solomon at Berry Campbell

With "Women of the Rocks," Uriel Dotan Brings Past Tradition to Present-Day Politics

“Galkyd, Galkyd” Presents the Best of Today's Abstraction

Vicky Colombet at Leonard Hutton

Review: "Ugly" at Lazy Susan Gallery

Jonathan Goodman on Qiu Zhenzhong and Shen Jinbo: Calligraphy’s Future, Painting’s Time to Come

The Apotheosis of the Fish Market At Marc Straus Annex

You Say You Want a Revolution: American Artists and the Communist Party at Galerie St. Etienne

The Scoop On Rachael Wren’s Show In The Main Building Of Wave Hill (Bronx)

Thoughts On The Second Solo Show of French-born Nicola L at Elga Wimmer Gallery